We have used our years of fuzz inovation to create a pedal which utilizes 5 unique fuzz circuits combined with a sweepable frequency equalizer yeilding one of the most usable and versatile fuzz tone shifters we've ever heard: the APOCALYPSE.
Modes of Operation:
The Death By Audio Echo Dream Delay is a unique and welcome addition to the world of delay pedals. The Echo Dream features basic delay controls (feedback, delay time and delay mix) as well as a versatile modulation section. The Echo Dream's modulation goes from dreamy sway to glitched out bleeps and bloops. The Death By Audio Echo Dream departs from the path often tread by other modern delays with the inclusion of a fuzz section. With options for no fuzz, fuzz and a lighter diode clipping, the user can add another dimension to the delayed signal yielding some truly thick and overwhelming tones.
Call in the Army, the Navy, Scottland Yard, your Mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill all circuit explodes the meanest, nastiest, balls out distortion to make you the ruler of the fuzz universe.
This Death By Audio pedal has all the corners cut on the graphix but not on the components and sound. This gives you a high-tech fuzz mutilator at an affordable price. Now with three knobs it can create a multitude of ultimate fuzz, boost, overdrive, distortion sounds. Listen for yourself and you will see, this is the thickest sounding sustaining fuzz pedal we have ever heard.
Controls:
- VOLUME - (The little ramp graphic) Controls the overall output volume of the pedal.
- FUZZ - Controls the drive or gain of the fuzz circuit. At it's lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz.
- TONE - A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.
Throw away your Tube Screamer. Truck loads of sweet creamy overdrive have arrived. The more you turn it up the better it sounds.
The Interstellar Overdriver is a real overdrive pedal blasting your amp with your sound. The knob works giving a slight boost all the way counterclockwise to a beautiful harmonicly rich overdrive maxed out. It is designed to work the same way as old tube amps - the more you turn it up, the better it sounds. For more control kick back the output volume with the MASTER knob while keeping the sweetness.
The Interstellar Overdriver is quickly becoming a favorite of many professional players since it really brings out the good sound of your amp + guitar and doesn't just completely transparently boost the signal.
Explore the galaxy of octavia, octave fuzz, clang, ring modulation, and sitar drone sounds. The OCTAVE CLANG is an octave up effect which uses a special selected transformer and matched Germanium Diodes to create it's rich and pure analog octave up sound. The gain control on the OCTAVE CLANG is balistic and can make your guitar the most evil weapon known to man. The gain ranges from nice harmonicly rich clang sounds to an onslaught of abraisive fuzz. Playing chords with the gain turned down brings out bizarre dischordant drones and complex overtones.
This pedal also gets freaking LOUD! with the volume maxed out, like every good pedal should, so you don't have to worry about your octave sound dropping your volume.
This is an absolute crazy octave pedal. The sounds are lush and destructive and new. This is not Jimi Hendrix in a box although I bet if he were playing today he would be trying to stretch the envelope of guitar sounds and use the OCTAVE CLANG! Bang! Bang! Wow!
The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings what-so-ever. It is completely synthetic and transforms any input into a spuree of resynthesized robot jargon.
THE CONTROL KNOB: The control knob is located on the right hand side of the pedal. The knob controls the pitch of the effect in NORMAL, OCTAVE DOWN, and OCTAVE UP modes. When in ARPEGGIATOR mode it adjusts the speed of the arpeggiation.
Modes of Operation:
- NORMAL: Same pitch with 8 bit digital conversion with the CONTROL KNOB fully clockwise. Turning the CONTROL KNOB down bends the pitch down.
- OCTAVE DOWN: The CONTROL KNOB turned fully clockwise yields a nasty octave down sound. Turning the CONTROL KNOB down bends the pitch further down.
- OCTAVE UP: The CONTROL KNOB turned fully clockwise yields a nasty octave up sound. Turning the CONTROL KNOB down bends the pitch down.
- ARPEGGIATOR: The pitch arpeggiates in a sequence. The CONTROL KNOB adjusts the speed of the arpeggiation.
The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out. It uses specially matched transistors turned backwards to get it's bombastic sound. The one knob controls extreme biasing of one of the transistors and the other controls intense filtering. Although this sounds simple the results are perplexing. The combination of allow a vast universe of fuzz | distortion | overdive | buzz | grind | bleeps | synth sounds | harmonies | and soundwave manipulation. The exact positions of the knobs yeild completely different sounds for endless great insane fuzz tones. Be forewarned, there is no volume control on this beast, it is only balls to the wall fuzz and does not clean up when the volume control on your guitar is turned down or anything foolish like that. This is rock and roll inspiration, and damn it feels good.
CREATE YOUR OWN FUZZ TONE
NEED TO MELT PEOPLES BRAINS WITH SUPERSONIC CHAOS? WANT A DIFFERENT SOUND THAN EVERYONE ELSE?
FOR AN ENDLESS AMOUNT OF FULL, INSANE, BUZZ SAWING, JAW DROPPING SOUNDS THE SUPERSONIC FUZZ GUN CAN DO IT ALL.
THE SUPERSONIC FUZZ GUN IS A COMPLETELY UNIQUE AND HUGE SOUNDING FUZZ PEDAL. THE GOAL OF THE PEDAL WAS TO MAKE A FUZZ WITH THE CAPABILITY OF HAVING AN IMMENSE RANGE OF GREAT AND USABLE FUZZ SOUNDS. THE CONTROLS ARE COMPLETELY INTERACTIVE WITH EACH OTHER TO GIVE THE WIELDER AN INFINITE NUMBER OF GREAT TONES. THERE ARE EXTREMELY (AND I MEAN EXREMELY) HARSH SOUNDS AVAILABLE AND EXTREMELY (YES I MEAN IT AGAIN) WARM SOUNDS AVAILABLE. IT DOES IT ALL.
Controls:
- BIAS - CHANGES THE OVERALL SOUND OF THE FUZZING
- DENSITY - AFFECTS THE FREQUENCY RANGE GOING INTO THE PEDAL
- FUZZ - INCREASES THE DISTORTION OF THE SIGNAL
- FILTER - FILTERS OUT THE HIGH FREQUENCIES OF THE OUTPUT AND SMOOTHS OUT THE INSANITY
- LEVEL - CONTROLS THE MASTER OUTPUT VOLUME OF THE PEDAL
- GATE/OSCILATION - SWITCHES BETWEEN A GATED FUZZ TONE AND AN OSCILLATION FUZZ SOUND
Stomp on the switch and destroy the world! create your own totally unique sounds and atmospheres the only effect pedals are overdrive, reverb, delay, flange, chorus and tremelo right? wrong.this is a totally unique effects pedal which is absolutely like no other effects pedal that has ever been seen 20hz-20khz smashes and crashes and bashes to ashes breaking and twisting and twirling and sputtering Total Sonic Annihilation is for all of the noise makers, experimentationists, revolutionists, out there -not for the weak of heart ts808 it will make noises like vintage synthesizers, unique waveform generators +many many many more 563khz it sounds completely different depending on what effects pedals are used with it now each and every effect pedal that you own can breath new life! don't throw away your old pedals, try them with total sonic annihilation built by hand with only the best electronic components and only the most extreme care to ensure that each pedal lasts for years and years.
