INSPIRED BY THE BRITISH SOUND OF THE 60′S
The Bonetender is a germanium voiced, MK II style fuzz box originally produced by companies such as Solasound, Colorsound and Vox. Set the gain around 10 o’clock and will give you a creamy boost, vintage Maestro FZ-1 territory around 2 and Big Muff tidal wave with it cranked!
Sonically, it’s a tidal wave of sustain while remaining, tight, focused and very articulate. It pays tribute to the legendary riffage of Jimmy Page, Jeff Beck and Mick Ronson to name a few. External
GAIN AND LEVEL Control
9VDC Input
True Bypass LED Status
Compact “MINI” Die cast Aluminum Case 3 5/8″L x 1 1/2″W x 1 1/4″H
ECHOPHONIC Custom VERSION 2 with 700 milliseconds of LUSH echo routed around a sweet FET analog preamp to give any guitar the sweetness and depth you might expect from a $1000 echo unit.
External volume pot adjusts the ENTIRE pedal’s output for unity or even up to 10dB boost from the analog FET preamp. The Dynamic Modulation control offers up a huge range of micro-controlled dynamic pitch-shifting wobble from perfectly clean (OFF) to a watery shimmer to a maniacal vibration…
- Up to 700 Milliseconds Analog Voiced Delay
- DRY / WET, Time, Volume, Repeats, and Modulation Controls
- Analog FET Preamp
- True Bypass
- 9VDC or Battery Operation
- 30 mA Current Draw
- 4.375” (11.11 cm) x 2.375” (6 cm) x 1.75” (4.44 cm)
DAN BULLDOG TRU FET
A good buffer can help prevent tone sucking issues like the loss of signal level, decreased high end frequency response and a complete lack of low end punch. This Buffer goes a step further by making it small enough so it can find a home on any pedalboard and has a unique tone to it.
Most buffers are meant to be boring, exact copies of your original signal feed to combat known issues such as cable capacitance and impedance issues. The Dan Bulldog actually sweetens up your tone!
If you are wondering WHO the HECK is Dan Bulldog?
Dan Bulldog is the translation in “another country” for Dumble Amplifiers.
Now, we are not saying that your amp is instantly going to transform into a $30,000 Dumble OD Special by using our buffer but Dan Bulldog amplifiers are known to have a Tru FET input section and are generally sweeter sounding amplifiers because of this..
Chances are you’re missing something even though you thought you were safe with all of those true bypass pedals on your pedal board.
9VDC – 18VDC Input
Very low current draw (4 mA)
LED Status
Super Compact Die-cast Case
3 5/8″L x 1 1/2″W x 1 1/4″H
“This pedal is voiced to emulate the sound of a cranked up Tweed Twin and it does a marvelous job of recreating those signature Tweed sounds, including smaller amps like the Tweed deluxe.”
The basic pedal has two knobs and a three-position toggle switch. The case is a beautiful gold powder coat finished unit. The on—off switch is the signature silent Lovepedal soft switch—silent and perfect.
Diving into the controls, we have an overall gain control on the left and a saturation control on the right knob. Even at minimum saturation, the pedal is adding grit and sustain to the sound. At about 3/4, the saturation knob starts to really kick in, adding overtones and overdrive. At about 9 o’clock, the gain control is at approximately unity gain. From there, it goes up a few DB, adding some complex saturation.
The three-position toggle switch acts like a triple tone control. In center position, highs are brightest. In the right position, highs are somewhat attenuated and in the left position, the highs are attenuated even more. All this helps the user dial in the right degree of saturation, depending on whether the guitar is using single coils or humbuckers.
Most players would call this tone “crunch”. Its not high gain—it’s just slightly overdriven with a unique edge, but with the unique Tweed character found in the old amps. It is great for that crunchy, attitude-driven rhythm sound and for the Tweed amp cranked up lead sound that has dirt but still retains clarity.
The Lovepedal High Power Tweed Twin is the premier overdrive pedal for any player seeking authentic Tweed overdrive tones.. All the power and punch of these classic amps as well as the overdriven tone without the need to crank the amp. Input and output jacks on top, classic 3 way high cut EQ toggle. This thing can reproduce any tone from Keef to Neil Young!! Limited build!!
Features
Master Volume and Drive controls PLUS A Classic A/B/Y tone cap switch!!
Gives control of the high end harmonic content.
Built tough and made to play with unmatched Tweed era tone, in the U.S.A.
9VDC Input -True Bypass
State of the art internally charged pumped 16VDC high headroom CUSTOM
Hi Volt is an extremely powerful, fully saturated, mid to high gain JFET unit. Through much experimentation, the Hi Volt offers a cascaded, multiple JFET design. Internally charge pumped to 16VDC feeding a “post” 16 volt, high headroom, custom tuned, active three-band eq.
With it’s generous amount of gain on tap, the Hi Volt gives you a diverse palate of everything from blues to metal, Marshall to Mesa and so on. When playing chord, the distortion remains tight and focused. When playing single note lines, they are supported and carried by Hi Volt’s beautifully, rounded low end and it’s amp-like precision to your pick attack.
The Hi Volt can take an amp of any size and give it an unprecedented amount of depth and mass. It works exceptionally well with both single coil and humbucking pickups.
Features:
-POST Three-band active eq / Internally Charge Pumped 16VDC
-True Bypass switching, making sure your signal is preserved when the effect is off
-Power requirements: 9VDC, center negative adapter/ 9V battery / 20mA Current Draw
-Made in USA
Controls:
-Volume
Controls the overall output of the effect. There’s a lot of it on tap too. You’ll find unity gain between the effected and bypassed signal around 10:00-11:00.
-Gain
Controls the distortion amount of the effect. Around 9:00 is good for a nice, bluesy lead. 1:00 for a tight, hard rock rhythm and 3:00 for a tight and saturated assault.
-Treble
The Treble knob will add or subtract presence to the effected signal. Rolling back around 10:00 will give a darker, rounder sound, while moving around 2:00 will add clarity.
-Middle
The Middle knob will add body to the effected signal. Keep it around the 2:00 will give an even, focused sound, while rolling back around 9:00 will produce a “scooped” effect.
-Bass
The Bass knob will add mass and low end to the effected signal. There’s plenty to go around, so even at 9:00, there’s already a “full” sub frequency happening. Turn it to 2:00 to really push some air.
Recommended Starting Point
(Try it with your bridge pickup first)
-Volume – 10:00
-Gain – 4:00
-Treble – 9:00
-Mid – 11:00
-Bass -9:00
Steers overdrive in a truly unique new direction.
Kalamazoo now has higher headroom and better handling of high output pickups. The tone control wired to work in series with it’s treble booster offers up super smooth, controllable highs. The available Gain has been boosted and even the most saturated notes ring with better definition than ever before.Plug in and while not only having total tonal control of it’s sweet ‘n’ smooth, harmonic, overdriven tones, you’ll hear your sound being driven to new heights with sweet, responsive, chiming high end that’s never harsh. Like all Lovepedal custom effects. The Kalamazoo Overdrive features premium components, bullet proof construction and a sonic presence that will simply knock you out!
New higher headroom and better power handling
Increased definition and clarity
Increased gain and saturation
External
Drive, Level, Tone and Glass Controls
9VDC – 18VDC Input
True Bypass LED Status
Compact Die cast Aluminum Case 4.37″ X 2.37″ X 1.07″
Controls:
DRIVE – Sets the amount of overdrive
LEVEL – Master volume control
TONE – Softens the treble content
GLASS – Increases treble without cutting bass response
STOMPSWITCH – Turns effect ON or OFF
Perfect small footprint for those who don’t use vibe that much but need it on the board!
Delivers on thick, lush vibe sounds straight out of the sixties. Gives you all the great mojo of a uni-vibe in an ultra compact case.
Speed control on the outside with a large knob so you can turn it with your foot, intensity trim pot on the inside. The trim is a very sensitive adjustment, but once you get it dialed in to taste, it’s set it and forget it.
VERY dynamic, touch-sensitive Plexi tones in a box!
As you advance the DRIVE control this unit will morph into different Plexi era characteristics.. At the bottom of the sweep a nice JTM45 ish tone is present, roll back your volume knob on the guitar and the clipping goes away, just like the real thing! Advance the TONE control while turning up the DRIVE and all of a sudden you are in 68 PLEXI 100 land.. FULL ON JCM 800 ROAR when dimed!
And it still cleans up via pick attack and volume control at the guitar with humbuckers or single coils!!!!
This is one wicked pedal and has a uniquely modified mid range bark to it.. I highly recommend this unit to anyone looking for that HUGE, high gain, rippin, PLEXI tone that actually cleans up like the real deal.. Check out Lance Keltner’s video at the VIDEO tab above..
FEATURES
Balanced, medium gain overdrive to full on ROAR of a JCM 800
Great dynamic low end response and open mid-range BARK
Connectors: Input, Output, DC adapter
Power Supply: 9V battery operation or 9VDC adapter – NEGATIVE CENTER – 10mA draw
